Review of Pride musical at the National Theatre
In June 2026, the stage musical adaptation of Matthew Warchus’s 2014 film Pride has drawn significant acclaim for its portrayal of the solidarity between the gay community and the miners during the 1984-5 Miners’ Strike, reports BritPanorama.
This production follows the success of last year’s hit, Paddington, and has quickly established itself as a standout show in 2026, with its narrative depth surpassing that of its cinematic predecessor. Warchus has enhanced the character development of both the London gay group and the Welsh mining community, creating stronger connections that resonate with audiences.
Mark, a prominent figure in the Lesbians and Gays Support the Miners (LGSM), articulates the shared struggles of the two groups, stating that they are both “hated by” Prime Minister Margaret Thatcher, the police, and the tabloid press. This poignant comparison underscores the broader themes of marginalisation and solidarity.
The musical numbers, crafted by Stephen Bereford, who wrote the book and lyrics, along with the music composed by Christopher Nightingale, Josh Cohen, and DJ Walde, elevate the emotional impact of the production. Songs from the show linger in the mind long after viewing, with one standout lyric capturing the journey of a character confronting his sexuality: “Can I make it any bolder? Give me Tristan, keep Isolde.”
Samuel Barnett’s performance as Jonathan, a proudly gay character, has garnered particular praise. Barnett captivates the audience while performing a vibrant dance sequence at the Miners’ Social Club. His character’s resilience is further expressed in the empowering number “You Might as Well Live,” which has the potential to become an LGBTQ+ anthem.
Despite the celebratory atmosphere, the narrative does not shy away from the harsh realities faced by both communities. As winter 1984 looms, the miners’ struggle for survival intensifies, while the AIDS crisis continues to devastate the gay community. A poignant ending offers a glimpse into the futures of beloved characters, providing a somber reflection on the cost of their fight.
This heartfelt and impactful production deserves full recognition, meriting more than the five stars typically assigned to such performances.
‘Pride’ is at the National Theatre, London until 12 September.
