Kasabian’s frontman Serge Pizzorno embraces new challenges
Serge Pizzorno commanded attention at Glasgow’s TRNSMT festival in June during Kasabian’s first UK performance of 2025, embodying the essence of a rock star with vibrant energy and a unique sense of style, reports BritPanorama. Following the departure of original singer Tom Meighan, who was removed from the group after pleading guilty to domestic assault in 2020, Pizzorno stepped into the spotlight as the band’s new frontman, a move that many saw as a natural progression.
Having gained recognition as the band’s primary songwriter since their formation in 2004, Pizzorno’s ascension to lead vocalist was met with excitement. He acknowledged the daunting nature of the role but insisted that allowing the band to disband was not an option. “There’s just no way it could have ended like that,” he reflected. “When you step into that space, it’s overwhelming, because you’re dealing with so much energy; your own energy, and the energy of thousands of people in the audience.”
With the release of their latest album, Act III, following The Alchemist’s Euphoria and Happenings, Pizzorno’s vision reflects a broader musical palette while maintaining the band’s identity. The new album, described as the third chapter of their reconfiguration, connects the various styles explored in recent years, from psychedelic influences to hip-hop beats.
Pizzorno’s creative process is informed by eclectic inspirations, including film and art, which pulse through the album’s tracks, featuring sounds that range from disco to indie rock. He aims to capture a breadth of musical experiences, as seen in songs like “Superpowers” and “Great Pretender.”
The thematic depth of Act III is underscored by Pizzorno’s commentary on modern influences, such as online personalities. Tracks like “Hippie Sunshine” and “The Guru and the Crypto Time Machine” reflect his observations on the intersection of technology and contemporary culture, suggesting a critical view of those who shape societal narratives.
As Pizzorno navigates his role both as a musician and a family man, he acknowledges the challenges of raising children in the current climate, which he finds “not easy.” He emphasises the importance of grounding his family life amid a dynamic career, stating that this balance is vital for his personal well-being.
Pizzorno remains concerned about the impact streaming services have on the music industry, insisting that artistry should not be reduced to mere numbers in a marketplace driven by commercial gain. He equates this trend to a loss of authenticity in music, expressing a desire for works that resonate on a deeper level.
Facing the demands of the live music experience, Kasabian is poised for an upcoming arena tour in December, following a record-setting show at London’s Finsbury Park. For Pizzorno, fronting the band has not only altered his musical path but also transformed his personal life, steering him towards healthier choices and renewed vigor in his artistic pursuits.
Act III is out now, and Kasabian will perform five UK shows starting 11 December.
