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Nine highly touted books of 2025 fail to meet expectations

December 22, 2025
2 mins read
Nine highly touted books of 2025 fail to meet expectations

This year has seen a range of books that, despite the hype, may not have lived up to their potential. Among these are notable works that have received criticism for being over-praised or lacking depth, reports BritPanorama.

Publishing is in rude health, but hype often does a disservice to both readers and writers. Here are nine books from this year that under-delivered.

Dead and alive by Zadie Smith

Smith’s latest work is a bundle of articles, speeches and interviews

Zadie Smith’s previous essay collections – Changing My Mind and Feel Free – showcased the evolution of her thoughts on literature, film, and art. However, her latest work is a compilation of articles, speeches, and interviews that lacks a cohesive theme. While some pieces, like her reflections on friendship with Hilary Mantel and insights into her life as a mother, are noteworthy, the collection’s scattered nature detracts from its overall impact.

The school of night by Karl Ove Knausgaard

Knausgaard’s recent work feels uninspired

Karl Ove Knausgaard gained acclaim through his My Struggle series, which made everyday experiences profoundly engaging. However, his recent work, part of a six-novel series, appears uninspired. Although The School of Night draws from the Doctor Faustus myth, its literary ambitions crumble under a weighty narrative that fails to engage the reader.

The long winter by Colm Tóibín

If you want to read it, you would be better off getting the collection

A recent publishing trend has seen stories presented as standalone books, often leading to disappointing results. Colm Tóibín’s The Long Winter depicts themes of betrayal, loss, and love in a familiar style. However, the story has already appeared in Tóibín’s 2006 collection Mothers and Sons, making its solo release less necessary for the reader.

Bread of angels by Patti Smith

Smith’s self-mythologizing is starting to grate

Patti Smith’s earlier memoirs, Just Kids and M Train, captured her essence brilliantly. However, much of Bread of Angels appears repetitive, and her tendency to self-mythologize becomes tiresome. Her reflections tend to feel stale, suggesting an exhaustion of inspiration.

The land of sweet forever by Harper Lee

The stories are unfinished, sketchy and will interest only the most committed fan

Following a long silence, Harper Lee’s posthumous release of The Land of Sweet Forever offers a glimpse into her formative years in the American South. However, the collection features unfinished essays that may only attract die-hard fans, lacking the polish or completeness that readers expect.

Notes to John by Joan Didion

This makes for uncomfortable reading and should not have been published

Joan Didion’s late writings have shown her brilliance, but Notes to John, a collection of diary entries regarding her daughter’s struggles with addiction, raises ethical concerns. These private reflections, meant for her husband, expose vulnerable moments that many believe should have remained unpublished due to their discomforting nature.

Moral ambition by Rutger Bregman

Bregman’s book is a shallow call to self-centred saviourism

Rutger Bregman’s latest work aims to motivate individuals with examples of those who shaped society. Nevertheless, the book’s premise that society’s highest earners often possess the most talent seems misguided, leading to a superficial argument for self-serving altruism rather than a profound examination of social justice and responsibility.

Flesh by David Szalay

Szalay’s prize-winning book does not fulfil its considerable potential

David Szalay’s Flesh won a prestigious award, yet it fails to fully deliver its promise. The narrative starts strong, engaging the reader with its protagonist’s harrowing experiences, but the latter half stagnates, losing momentum as the story drifts into ennui among London’s elite.

The emperor of gladness by Ocean Vuong

The novel contained clunky dialogue and bewilderingly wrongheaded images

Ocean Vuong’s second novel, despite the acclaim accompanying his earlier works, has drawn criticism for its poor execution. Critics have noted its awkward dialogues and poorly developed characters, suggesting that an editorial oversight may have contributed to its lack of cohesion, despite having garnered a following.

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