Mike Joyce reflects on The Smiths in new memoir ‘The Drums’
Mike Joyce, the drummer of iconic band The Smiths, has released a memoir titled The Drums, which primarily chronicles his five years with the band, concluding with their breakup in 1987, reports BritPanorama.
Joyce has had previous offers from publishers but notes that this time he was allowed to express himself freely, opting to sidestep the contentious elements surrounding legal disputes over royalties and his fallout with Morrissey and Johnny Marr. Instead, he imbues The Drums with warmth, humor, and his experiences as a passionate musician.
At 62, Joyce remains rooted in Manchester, where he grew up in a close-knit Irish community. His memoir portrays a joyful upbringing, supported by parents who encouraged his musical aspirations, especially after a near-fatal accident in his childhood that intensified their commitment to his passion for music.
Reflecting on his teenage years, Joyce cites the influence of the punk band Buzzcocks, which inspired him to delve into Manchester’s vibrant music scene. He recalls preparing for his audition with The Smiths in 1982 by taking magic mushrooms, a move that he insists did not impede his professionalism. His experience led to his inclusion in the band after impressing Morrissey and Marr.
Unlike many rock memoirs, The Drums is notable for its humility. Joyce openly shares his insecurities regarding his technical skills compared to Marr’s exceptional talent, which he regards with great admiration. Despite past tensions, he expresses fondness for his bandmates, especially the late Andy Rourke, highlighting their lasting friendship.
The memoir also navigates the abrupt end of The Smiths, spurred by Marr’s unexpected departure. Joyce describes his shock and confusion, particularly as the band’s final album, Strangeways, Here We Come, resonated deeply with all members. He reflects on how he initially thought he could carry on without Marr but ultimately recognized that the decision was flawed.
While the book does not dwell on Joyce’s post-Smiths career, it culminates with heartfelt reflections on Rourke’s final moments and their shared history. The epilogue captures a poignant moment when Joyce reconnects with Marr after years of estrangement.
Current tensions between Morrissey and Marr are noted, as Joyce finds discussions about their past public disagreements troubling. He remarks on Morrissey’s controversial statements and political positions, expressing confusion about his former bandmate’s views while affirming that their legacies have diverged significantly.
Despite this, Joyce remains proud of The Smiths’ enduring influence, noting the contemporary relevance of their music, evidenced by the resurgence of their songs on platforms like TikTok. He concludes that their melodies continue to resonate with new generations across the globe.
‘The Drums’ is published by Putnam Publishing, £25
