Gary “Mani” Mounfield, the influential bassist known for his work with The Stone Roses and Primal Scream, passed away yesterday at the age of 63, reports BritPanorama.
His contributions were pivotal in shaping British guitar music over the past four decades, melding genres and connecting diverse musical audiences. With his background in “good northern soul and funk,” Mani was central to the evolution of baggy music, helping to bridge the gap between dance and rock through his melodic, grooving basslines.
Characterized as a relatable figure amidst his more reserved bandmates, Mani embodied the essence of the Mancunian working-class spirit. He was outgoing and charismatic, often stealing the spotlight with his lively stage presence and a palpable enthusiasm for his craft. His joyful demeanor resonated with fans, making him a beloved figure not only for his musicianship but for his genuine personality.
The news of his passing elicited widespread mourning from former bandmates and prominent figures, including Liam Gallagher and Manchester Mayor Andy Burnham. This outpouring of grief reflects not only his legacy as a musician but also his impact as a cherished individual within the music community.
Here are six of Mani’s notable basslines that captured the imaginations of listeners.
I wanna be adored, The Stone Roses, 1989
This iconic bassline served as the opening track for the Stone Roses’ groundbreaking debut album. Its seductive melody set the stage for John Squire’s swirling guitar, capturing the attention of a generation of ravers and indie lovers. During the band’s 2012 reunion concerts, Mani’s performance of this track highlighted his pivotal role in their legacy.
I am the resurrection, The Stone Roses, 1989
Mani’s distinctive melodic approach was instrumental in many of the Rose’s standout moments. The closing track of their debut album features a pure Manchester funk vibe, transitioning from its memorable Motown-inspired intro to a euphoric four-minute outro that showcases Mani’s deft touch.
Fool’s gold, The Stone Roses, 1989
By late 1989, the “sound of Madchester” had begun to dominate mainstream media. “Fool’s Gold” epitomized the band’s peak, with its infectious energy and Mani’s captivating bassline, which synthesized the best elements of the Roses’ sound while drawing inspiration from hip hop.
Kowalski, Primal Scream, 1997
After joining Primal Scream in the aftermath of The Stone Roses, Mani contributed to the band’s transformation during a period of eclectic experimentation. The single “Kowalski” featured a frenetic funk sound, propelled by Mani’s intricate and forceful bass performance.
Swastika eyes, Primal Scream, 1999
The lead single from Primal Scream’s album “XTRMNTR” resonated with the anxieties of the approaching millennium. Mani’s bass work was a central element, oscillating between entrancing and powerful, contributing to the track’s dynamic intensity.
Shoot speed/kill light, Primal Scream, 2000
As the first major album of the 21st century, “XTMNTR” showcased Mani’s peak versatility. His aggressive, innovative basslines permeated throughout the album, with “Shoot Speed/Kill Light” exemplifying his ability to drive the song’s energetic momentum amidst an intricate soundscape.
Mani’s legacy in British music and culture remains profound, marked by his innovative contributions and vibrant personality that left an indelible impact on fans and fellow musicians alike.
