Rupert Goold bids farewell with a striking revival of American Psycho
Rupert Goold has concluded his tenure as Artistic Director of the Almeida Theatre with a revival of his acclaimed adaptation of American Psycho, originally staged in 2013. This latest production, running until 14 March, mirrors the excesses of the 1980s while reflecting contemporary societal issues, reports BritPanorama.
The musical centres on the character of Patrick Bateman, played by Arty Froushan, a materialistic New York investment banker whose obsession with wealth and status leads him to a murderous path. Goold’s choice to revisit this polarizing figure is bold, as Bateman is emblematic of a disturbing kind of ambition devoid of humanity and morality.
Set during the “greed is good” era, the production’s themes resonate strongly today amid a politically charged environment, suggesting a parallel between Bateman’s toxic heroism and contemporary figures in business and politics. The musical’s score, crafted by Duncan Sheik, alongside a book by Roberto Aguirre-Sacasa, further amplifies the narrative’s grim relevance.
With striking visual elements marked by neon strip-lighting and a slick ensemble outfitted in updated 1980s fashion, Goold’s trademark theatrical style shines. Choreographer Lynne Page employs the stage space effectively, enhancing scenes with dynamic choreography, particularly notable during a high-energy club scene.
Froushan’s portrayal captures Bateman’s chilling charisma, while the supportive cast, including Anastasia Martin as his secretary Jean, adds depth to the narrative, creating tension regarding her fate amid Bateman’s unsettling world.
Goold’s direction combines theatrical flair with incisive commentary on societal excess. As he departs for the Old Vic, the Almeida usher in a new era under Dominic Cooke, ensuring the future of London theatre remains robust.
The production runs until 14 March. For more information, visit almeida.co.uk.
