Piers Morgan’s New Book Critiques Modern Cultural Trends
Piers Morgan’s latest book, Woke Is Dead, delivers a scathing critique of contemporary cultural dynamics, particularly regarding the so-called gender divide, the state of free speech, and the rise of plant-based diets, reports BritPanorama.
In this 12th offering, Morgan expresses his frustration over what he perceives as excessive political correctness and a loss of traditional masculinity. He disparages climate activists and cultural icons, describing Meghan Markle as a “whining actress” and Kendrick Lamar as “unmemorable.” Films, he argues, have deteriorated, lamenting that even James Bond has been transformed into an emotionally introspective character rather than one embodying classic masculinity.
Despite acknowledging JK Rowling’s controversial views on gender identity, Morgan distances himself from the Harry Potter franchise, stating, “I’d rather paint over my TV and watch it dry.” Throughout the book, he launches attacks on the “woke brigade,” claiming they inhibit everyday pleasures and societal interactions due to their hypersensitivity.
According to Morgan, the modern use of “woke” has strayed from its original meaning, now acting as a guise for bullying and promoting cancellation of dissenting voices. He contends that this phenomenon propagated by those intent on making others conform is a “woke mind virus” leading to societal upheaval.
He asserts that the election of Donald Trump, labeled “stunning,” marked a pivotal moment against this cultural trend, indicative of a broader societal desire for straightforwardness over political correctness. “Everything felt reassuringly normal” with Trump’s approach, Morgan proclaims, despite any concerns pertaining to the president’s conduct.
Morgan identifies himself as a liberal supporting equal rights while arguing that movements like #MeToo have resulted in a culture of fear surrounding accusations of sexism and racism. He expresses concern over the current portrayal of masculinity, suggesting young men gravitate toward controversial figures like Andrew Tate due to a lack of positive role models in contemporary media.
The book critiques current cinema, particularly feminist narratives, as lacking depth and common sense. Morgan references the box office failure of The Marvel while praising the success of Top Gun, underscoring his belief in traditional, action-oriented storytelling.
Perhaps most contentiously, Morgan openly admires Trump, presenting him in a positive light following anti-transgender rulings and framing the imagery from related events as wholesome. This stance could alienate readers who view such actions negatively.
While Woke Is Dead articulates Morgan’s viewpoints with clarity and conviction, it raises questions about engagement in complex societal issues rather than merely deriding them. The book pushes a narrative that may provoke division rather than fostering dialogue.
‘Woke is Dead’ by Piers Morgan (HarperCollins, £22) is out now
