Paul Mescal’s latest roles highlight a balancing act between exposure and artistry
Another Friday has seen the release of yet another film starring Paul Mescal, this time the low-key festival favourite The History of Sound, where he stars alongside Josh O’Connor in a discreet gay romance set in post-First World War America. This follows his prominent role as William Shakespeare in the acclaimed film Hamnet, leading to increased scrutiny of the actor’s rising profile, reports BritPanorama.
Despite a wave of critical acclaim, Mescal surprisingly missed out on a Best Supporting Actor Oscar nomination for Hamnet. The Irish actor, known for his versatility across film, television, and the theatre, seems poised at a moment of peak visibility as his career continues to expand rapidly.
This surge in popularity raises questions about the so-called “tall poppy syndrome” in British culture, where public figures are often criticized when perceived as overexposed. Previous examples, such as Kenneth Branagh in the early 90s, illustrate how rapid success can invite backlash. There are concerns that Mescal might soon face similar scrutiny, with critics potentially questioning the depth of his acclaim.
Arriving in the public consciousness during the first Covid lockdown of 2020, Mescal made his mark portraying Connell in the acclaimed adaptation of Sally Rooney’s Normal People. His performance brought both charm and significant media attention, leading to a complex relationship with his newfound fame. He subsequently received widespread recognition for his role in the independent film Aftersun, which earned him a surprise Oscar nomination for Best Actor, further punctuating his capabilities as a serious actor.
While Mescal’s body of work supports his artistic legitimacy, he has expressed concerns about becoming overexposed. In a recent interview, he mentioned a desire to step back from the limelight until his portrayal of Paul McCartney in an upcoming film series directed by Sam Mendes, scheduled for release in 2028, allowing audiences a needed hiatus from his presence.
Taking a breather could ultimately prove beneficial for both Mescal and his audience. Reflecting on the career trajectory of Olivia Colman, who became ubiquitous after her Oscar win for The Favourite, it is clear that even the most talented actors can suffer from overexposure, leading to public fatigue. Mescal’s strategic approach may ensure that his return feels refreshing and awaited.
As Hamnet builds momentum leading up to the Oscars on 15 March, Mescal is expected to remain in the spotlight, particularly with the BAFTA awards approaching. Following this high-profile period, a sabbatical from public life may well enhance his appeal upon re-emergence.
The History of Sound is in cinemas now
