Lesley Sharp, star of the new film Pillion, discusses the evolving perceptions of homosexuality and parental support, reflecting on her experiences as an actress and the societal shifts she observes. “It’s bewildering to me that people of my generation still have an issue with their children being gay,” says Sharp. She reminisces about the activism of the 1970s, questioning the current landscape of acceptance, “Now I’m confused. All those people who felt the same way… where have they gone?” reports BritPanorama.
In Pillion, based on Adam Mars-Jones’s 2020 novel, Box Hill, Sharp plays Peggy, the nurturing mother of a gay son, amidst a complex narrative involving BDSM. The film, directed by Harry Lighton, portrays Colin, a traffic warden played by Harry Melling, who enters an intricate relationship with the dominant biker Ray, portrayed by Alexander Skarsgård. Sharp notes the significance of her role as a supportive maternal figure, especially in a time when negative portrayals of parents seem prevalent on screen.
Colin’s journey into the BDSM world raises questions about love, power, and emotional connection. As his mother faces terminal cancer, her concerns extend beyond his sexuality; she wants to ensure he finds happiness and kind companionship, illustrating a nuanced dynamic. “Her problem is not that her son is gay, but that he is not being uplifted by this man at her table,” Sharp explains during a video call, emphasizing the complexities of Peggy’s character.
Throughout the film, the depiction of BDSM challenges traditional power dynamics—Sharp highlights that “the sub is also very powerful.” Colin’s struggles to balance his desire for acceptance within the constraints of this relationship are poignantly illustrated, revealing a desire for basic affection that transcends the boundaries they navigate.
Born in Manchester in 1960 and adopted shortly after birth, Sharp’s own life experiences shape her portrayal. Although she acknowledges her past, Sharp does not draw direct parallels between her life and Peggy’s illness. Instead, she reflects on her burgeoning passion for acting during a tumultuous adolescence, connecting it to Colin’s exploration of identity.
After studying at the Guildhall School of Music and Drama, Sharp gravitated towards complex British narratives in film and television. Her extensive career includes key roles in acclaimed projects and nominations for prestigious awards. Recently, she returned to her role as Madeline Delaney in the second season of the ITV thriller Red Eye, showcasing her versatility as an actress.
Sharp’s portrayal of Delaney as the “methodical, moral centre” amidst a high-stakes situation—dealing with a bomb threat on a government aircraft—highlights her ability to embody tension and composure. This environment, much like theatre, fosters an intense experience, drawing parallels between her work and her personal practices of focus and preparation.
Despite the on-screen confidence, Sharp admits to feeling anxious about how interviews can alter narratives. Her approach to character and personal expression remains grounded, as she connects with the nuances of human experience. As she reflects on her own life, she humorously contrasts her character’s capabilities with her reality, mentioning the daily chaos brought by her dog, Miggins.
Pillion is currently in cinemas, while the second season of Red Eye is set to premiere on New Year’s Day at 9 pm on ITV1.
