In an unassuming pub in central London, John Grant reflects on the increasing political turmoil in the United States, comparing it to historical fascism. “It’s just grotesque and disheartening and infuriating. Anybody that doesn’t see the parallels between the Nazis and what’s happening in the States right now just isn’t paying attention,” he states, as Trump’s links to Jeffery Epstein dominate the news cycle, reports BritPanorama.
Grant is adamant that Trump’s support remains unwavering, even amidst serious allegations. “There’s no way that [his supporters] are going to abandon him,” he asserts, raising questions about the limits of accountability. His frustration echoes a broader sentiment; many are unsettled by the lack of consequences for Trump, regardless of the severity of accusations against him.
With a tone of resignation, Grant predicts that Trump will not step back from the spotlight. “He has no intention of leaving ever again. He wants what Putin has – unlimited power with just the pretense of elections,” he explains. Grant points to the events of 6 January, calling it the moment when caution shifted to stark reality for many observers.
Born in Michigan and now based in Iceland, Grant has long grappled with personal and societal challenges stemming from his identity as a gay man. His experiences of homophobia and rejection in a conservative religious context shaped his outlook, leading him to publicly discuss his HIV diagnosis in 2012. These personal battles fuel his artistry, allowing him to confront a range of topics with both vulnerability and strength.
His discography reflects a raw examination of trauma and politics, with his latest work, The Art of the Lie, delving deeply into the complexities surrounding his experiences both as an artist and a member of a marginalized community. “I can see that the guy’s a card-carrying c**t that you couldn’t trust,” he expresses frustration over the political climate, emphasizing his belief that true character is being obscured by the current administration.
Despite his personal struggles, Grant remains unwavering in his commitment to his music and fans across the globe. He does not shy away from the potential dangers of touring in the U.S., where violence remains a looming threat. “It’s always been true that you could be shot in the head at any moment for any reason in the United States,” he maintains, stressing the importance of being present for those he cares about in the face of adversity.
His artistry has also been shaped by Trump’s presidency, with sharp critiques evident in tracks like “Smug C**t” and reflective pieces on his upbringing found in The Boy from Michigan. The themes permeating his newest album were influenced by his experiences and perceptions of America under Trump.
Musically, Grant’s compositions have seen a shift as he navigated a range of storytelling techniques. His project with the ballet adaptation of A Single Man showcases his creative evolution, resonating deeply with themes of loneliness and acceptance. This experience has proven cathartic, challenging him to engage with wider audiences while remaining true to his narrative.
While reflecting on both personal and societal challenges, Grant emphasizes the importance of resilience. “You do have to move on. You do have to figure out a way to live and thrive in spite of whatever things that you’re dealing with,” he concludes, hinting at a newfound resolve to redefine his relationship with his past.
John Grant tours the UK until 17 October
