New adaptation of High Noon fails to impress
A stage adaptation of the classic film High Noon has opened to disappointing reviews, prompting critics to suggest potential viewers would be better served watching the original film instead, reports BritPanorama.
This new version, adapted by Oscar winner Eric Roth, does not capture the essence of the 1952 film, which stands as a hallmark of the western genre. The original film, celebrated for its compelling portrayal of morality and tension, raises the question: can the stage adaptation do justice to such a classic?
In this production, Billy Crudup portrays Will Kane, a role made iconic by Gary Cooper. Critics argue that Crudup lacks the gravitas of Cooper, portraying Kane more like a desperate salesman than the strong and silent marshal the character is intended to be.
The drama unfolds with a clock ominously counting down to the arrival of gangster Frank Miller, creating an atmosphere rich with tension. On the day he plans both to retire and marry his Quaker fiancée, Kane must prepare for an inevitable confrontation. The adaptation’s script echoes contemporary political tensions, questioning who will support Kane in his struggle against violence and intimidation.
Kane’s line, “This whole damn country – you let liars and cowards become heroes,” resonates with today’s audience, though the female characters in the play bring emotional depth to the narrative. Denise Gough, as Kane’s fiancée, delivers a principled performance, while Rosa Salazar portrays a passionate Mexican businesswoman and former lover of both Kane and Miller.
Despite these performances, director Thea Sharrock’s production struggles to build tension. The concluding shootout lacks the dramatic power of the film’s climactic moments, leaving audiences without the memorable resolution found in the original. Ultimately, the adaptation does not deliver the anticipated experience, leading to a recommendation to watch the film instead.
Runs to 6 March.
