All my sons shines in powerful revival at Wyndham’s Theatre
In a striking production of Arthur Miller’s classic play, All My Sons, Bryan Cranston delivers a stunning performance that has garnered critical acclaim, with many anticipating his nomination for yet another Olivier Award, reports BritPanorama.
Teamed with director Ivo Van Hove, who previously collaborated with Cranston on Network, the current rendition showcases a tremendous cast that also includes Marianne Jean-Baptiste, Paapa Essiedu, and Hayley Squires. Their collective performances illuminate the complex themes of ethics versus capitalism, parental conflicts, and the tension between past and future.
This production, running without an interval for just over two hours, carries an urgent momentum reminiscent of Greek tragedy. Van Hove’s direction strips the play down to its core, focusing on the stark emotional landscape of the Keller family, which is haunted by the unresolved fate of son Larry, missing in action for three years. Father Joe (Cranston), a manufacturer facing the consequences of his past decisions, maintains a facade of hope as his surviving son Chris (Essiedu) plans to propose to Larry’s former girlfriend, Ann (Squires), much to the dismay of their mother Kate (Jean-Baptiste).
The minimalistic set design by Jan Versweyveld, featuring a starkly fallen tree and a large window that changes hue throughout the performance, serves as a powerful visual metaphor for the family’s shifting dynamics and emotional states. The opening scenes reflect a sense of tentative optimism, slowly giving way to the family’s unraveling as darker truths emerge about Joe’s business dealings during the war.
Cranston imbues his role with a rugged charm, portraying a father who struggles under the weight of his choices. The interplay between him and Essiedu captures the essence of father-son relationships, marked by moments of warmth and tension. Jean-Baptiste’s portrayal of Kate is uncompromising, as she clings to the hope that Larry is still alive, while Squires’ performance adds a layer of determination and vulnerability as Ann navigates her own grief.
This powerful revival of All My Sons stands out as a definitive interpretation of Miller’s work, delivering an impactful experience that resonates deeply with contemporary audiences.
The production runs until 7 February, with further details available on the show’s official website.
