Opening to a surprisingly positive reception, the musical adaptation of 50 First Dates debuted to vibrant applause, challenging initial skepticism surrounding its stage potential, reports BritPanorama.
The tale follows a man pursued by a woman whose memory resets each day, a premise first seen in the 2004 Adam Sandler rom-com. Critics have noted that the narrative, which once seemed innocuous, feels outdated and problematic upon revisiting. Questions have emerged regarding consent and the dynamics of the central relationship.
However, audience members have expressed surprise at their emotional engagement with 50 First Dates: The Musical as it unfolds. With music composed by David Rossmer and Steve Rosen, the show has managed to connect deeply with viewers, prompting unexpected tears and reflections on the story’s themes of love and memory.
In this reimagining, Henry Roth, transformed from Sandler’s unfaithful walrus vet to a disengaged travel influencer played by John St Clair, adds complexity to the character. This shift evokes sympathy rather than disdain as the character navigates a superficial world of social media without real connections.
Henry’s purpose centers on documenting his adventures for a series called ‘The Perfect Day.’ His overbearing agent, portrayed by Natasha O’Brien, further enhances comedic elements, delivering some of the musical’s standout lines and revealing the humor in Henry’s lonely existence.
Georgina Castle plays Lucy, reminiscent of the earlier portrayal by Drew Barrymore. While the leads are not particularly endearing, the show’s framework allows for repeated opportunities for Henry to capture Lucy’s heart, a task complicated by her ongoing short-term memory loss.
Unlike the original cinematic version set in Hawaii, this adaptation relocates to the Florida Keys. Sandy, a waiter and Henry’s confidant, played by Chad Saint Louis, embodies the spirit of adventure, guiding the narrative through engaging musical interludes. Despite certain cringe-worthy moments, the humor remains lighthearted and enjoyable throughout the performance.
The music is a highlight of the show, with particularly poignant moments delivered through upbeat compositions like Sandy’s whimsical ballad about Key Largo and touching performances from matriarch Ukulele Sue, portrayed by Aiesha Naomi Pease.
Visitors experienced a poignant scene where Lucy tears up her diary, symbolizing their shared love and struggle, prompting a powerful response from Henry, illustrating the emotional weight of their circumstances. This moment captures the essence of their relationship, balancing tenderness with frustration.
Directed and choreographed by Casey Nicholaw, a multi-Tony Award winner known for Mean Girls and The Book of Mormon, the show reflects a playful self-awareness. It revels in its nostalgic roots while evolving the storyline for a contemporary audience.
Overall, 50 First Dates: The Musical has surpassed expectations, showcasing an entertaining mix of humor and heartfelt moments. It runs from 14 September to 16 November at the Other Palace theatre in London.
